A STREETCAR NAMED DESIRE, 2025, Sheffield Crucible Theatre
★★★★ ‘Impressively intense staging … Josh Seymour’s production wisely eschews gimmicks, and instead focuses on the story’ THE STAGE
★★★★ ‘Josh Seymour’s intense production for Sheffield Crucible, while preserving the drama in the exchanges between characters, adds an increasingly potent expressionistic ingredient’ WHATSONSTAGE
★★★★★ ‘A striking piece of theatre’ NORTHERN ARTS REVIEW
★★★★★ ‘Cold, heartbreaking and tragic in all the best ways… a must-see’ SHEFFIELD MAGAZINE
★★★★★ ‘Tantalising and devastating … innovative and dynamic staging’ NORTHERN SOUL
SPEND SPEND SPEND, 2024, Royal Exchange Theatre
★★★★ ‘Sex, snobbery and a romp of a musical … Josh Seymour’s revival soars when it unleashes Viv’s appetites via glorious, giddy theatricality’ THE TIMES
★★★★ ‘[A] sparkling revival ... Seymour directs at a blistering pace’ THE STAGE
★★★★ ‘Directed with ebullience by Josh Seymour’ TELEGRAPH
★★★★ ’Josh Seymour has clearly approached this true story with gusto … has all the fizz and pizazz of freshly popped champagne’ WHATSONSTAGE
THAT FACE, 2023, Orange Tree Theatre
★★★★★ ‘This stunning revival will tear right through you…Josh Seymour’s finely calibrated direction manages to be both stylised and punchy but intimate and truthful too….The show is packed with tiny but deeply unsettling details that tear right through us’ GUARDIAN
★★★★★ ‘Josh Seymour’s production is a fittingly suffocating, hold-your-breath affair…a tense, magnetically performed revival…a remarkable portrayal of a family in crisis’ THE STAGE
★★★★ ‘Director Josh Seymour makes full use of the Orange Tree’s in-the-round auditorium to ramp up the claustrophobia…chillingly compelling’ THE TIMES
★★★★ ‘Director Josh Seymour’s shattering revival is an immersion in the extreme dysfunction of a middle-class family broken by alcoholism’ OBSERVER
THE NARCISSIST, 2022, Chichester Festival Theatre
‘Play of the Year … Josh Seymour’s fleet-footed production was marvellously deft, with a clutch of beautifully delineated performances’ THE STAGE
★★★★ ‘A zinging evening ... Josh Seymour's production swoops adroitly from shrewd argument to intimate dialogue and jittery sputter' OBSERVER
★★★★ ‘True to the times, much of the communication is texting, inventively represented, in Josh Seymour’s edgily swift staging, by incoming messages delivered soliloquy-style from the hanging pods of Jasmine Swan’s set, graphically depicting the invasion of mental space by constant contact’ GUARDIAN
‘In Seymour’s terrific, dynamic production — fluidly and effortlessly marshalling the action between different locations and time-frames — Lloyd is well supported by a cast that also includes the wonderful Claire Skinner as the Senator he is advising’ SHENTONSTAGE
’Brilliantly performed and superbly staged’ BRITISH THEATRE GUIDE
HOMOS, OR EVERYONE IN AMERICA, 2018, Finborough Theatre
★★★★★ ’Powerfully combines smart wit and smarting pain, and its inherent energy comes across beautifully in a production from Josh Seymour that positively fizzes’ THE ARTS DESK
★★★★ ’Gradually darkness and doubt rise up through the gaps of Josh Seymour’s forensically choreographed production’ TIME OUT
ADDING MACHINE: A MUSICAL, 2016, Finborough Theatre
★★★★ ’Josh Seymour's dark, intense production is staged with chilling, thrilling precision’ THE STAGE
★★★★ ’Josh Seymour’s production … perfectly captures, in Frankie Bradshaw’s design, the watery strangeness of the afterlife’ GUARDIAN, Michael Billington